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Christian von Schneidau : ウィキペディア英語版
Christian von Schneidau

Christian von Schneidau (1893–1976) was a well known California portrait painter who was recognized for his paintings of Hollywood stars and the Los Angeles elite. During the Roaring Twenties he painted Mary Pickford and other figures from the film industry as well as a number of outdoor figures done in the classic American Impressionist manner. Von Schneideau was born in Ljungby, Kalmar County, Sweden 1893, with the name Bror Christian Valdemar Von Schneidau, but went by the shortened Christian von Schneidau. In addition to his portraiture, von Schneidau was also a landscape painter and a private teacher who passed on the French principles of instruction, which he learned at the Art Institute of Chicago to his students. Von Schneidau was also the founder of the Scandinavian-American Art Society in 1938 and served as its president for many years. He was also an active member of the California Art Club.
==Childhood and Education in Chicago==
Christian von Schneidau was born to Waldemar and Sophie von Schneidau. His father's family was a noble one and many of his ancestors had served in the Swedish government. His father was a horse breeder and therefore von Schneidau grew up on a large estate. As with most painters, he showed his artistic talents at an early age and received encouragement and private lessons. The von Schneidau family emigrated to America, and like many Scandinavians, they settled in Minnesota. He won a scholarship to study at the Art Institute of Chicago, which was the largest art school in the United States. He received a formal, French Beaux-Arts style education at the Art Institute. While there, he shared a studio with a younger artist, Theodore Lukits, whom he would be linked to and remain friends with for the rest of his life. The pair shared an interest in figurative painting while many of their contemporaries were landscape painters. They would both paint film stars as well as painting figures in natural light, and they both studied with Richard E. Miller and Charles Hawthorne. He won the John Quincy Adams Traveling Scholarship at the Art Institute in 1916, but because Europe was at war, he used the funds to finance his art studies in the east and to travel west to California.

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